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That’s not to say that all Gilded Age fashion was formal. As leisure activities like bicycling and tennis became popular among the well-heeled set, sportswear, for the first time, became an integral part of one’s wardrobe. Many women adopted a shirtwaist ensemble—or a long skirt paired with a feminine blouse—which allowed for easier movement, as perhaps best exemplified by John Singer Sargent’s 1897 portrait of Gilded Age socialite Edith Minturn. However parties, balls, and soirées brought out the most extravagant style this country has ever seen. The opera, which was often frequented by the upper echelon, had a strict dress code: Women put on tulle dresses exposing their décolletage, opulent fur-lined cloaks, and elbow-length gloves, while men donned top hats. The 1880s also saw the arrival of the tuxedo in America. (Urban legend has it that a man named James Potter wore the English-originated design to a country-club ball in Tuxedo Park—hence the suit style’s name.)
Outrageous costume parties thrown by the most talented hostesses of the day had frenzied and fantastical fashions. Take Alva K. Vanderbilt’s March 1883 event for her daughter, Consuelo, which became known as the most lavish celebration of the era. “The Vanderbilt ball has agitated New York society more than any social event that has occurred here in many years,” The New York Times wrote dramatically at the time. “Since the announcement that it would take place, which was made about a week before the beginning of Lent, scarcely anything else has been talked about.” Guests spent outlandish attention to detail—and amounts of money—on their outfits: Alice Claypoole Vanderbilt came dressed as an electric light bulb, which meant a white gown satin trimmed with diamonds, complete with a diamond headpiece and a light bulb as a jewelry accessory. Her sister, Mrs. Ada Smith, meanwhile, wore an outfit completely covered in peacock feathers, from the train to the fan. Another guest donned a black-and-cream-colored satin embroidered with gold stars, accompanied with a diamond necklace and hairpiece. (It’s no surprise that Fifth Avenue fine-jewelry house Tiffany began to thrive during this era.)
For the upper echelon, fashion during that period was one of excess. Thanks to recent innovations of electric and steam-powered looms, fabric became faster and cheaper to produce. As a result, women’s dresses often featured a combination of many textiles, like satin, silk, velvet, and fringe, all adorned with over-the-top textures like lace, bows, frills, and ruffles. (The unofficial edict? The more going on, the better.) Colors were rich and deep jewel tones. Lighter colors were only worn only at home, as they were impractical while walking in the streets of New York. Hats were a necessity when going out and often were adorned with feathers. (In fact, the Audubon Society was founded in 1895 in response to protecting birds from the millinery trade.) Corsets were commonplace, and in the 1870s to late 1880s, women embraced bustles to elongate their backsides—in fact, a commonly repeated conceit was that a bustle should be big enough to host an entire tea service. By the 1890s, however, they faded out of fashion, replaced by mutton sleeves, bell-shaped skirts, and pompadour hairstyles. This aesthetic was only further popularized by illustrator Charles Dana Gibson, whose pen-and-ink illustrations of the hourglass Gibson Girl were tremendously popular in publications and advertisements.
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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