This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping
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I’m well aware that falling under BTS’s magical spell is hardly a new phenomenon and that millions of people the world over have justifiably lost their minds for the group—also known as the Bangtan Boys—since their entry as a flannel-swathed hip-hop group circa 2013. The K-pop superstars stole my heart with “Dynamite,” which, like Harry Styles’s “Watermelon Sugar,” served as an ideal, exuberant antidote to the dreariness of 2020. I will never forget dancing in my kitchen with my daughter on the last day of the Trump administration while blasting it. Real parties were all but banned when BTS performed the song at last year’s Grammys, culminating on the glittering roof of the Los Angeles Convention Center, but BTS was a celebration unto themselves, high-kicking away the strange sadness of the pandemic, singing into sparkly microphones. If you’re able to watch it and not be consumed with the desire to dance, I’m sorry to say you’re a sociopath. I don’t believe it’s a coincidence that BTS’s global expansion has happened at a time of tumult. (They are the fastest act to achieve five U.S. number one singles since Michael Jackson.) To quote “Dynamite,” BTS brought the fire and “set the night alight” when fans needed it the most.
When BTS assembled onstage, they exploded in song and slick, liquid dance moves in a V-formation that quite honestly would put BSB and 1D—and definitely NKOTB—to shame. Even before they were joined by a chorus of men in black, BTS commanded every inch of the stage, shedding their suit jackets and magically tying them together like ropes, and slipping under the laser light field, secret agent style. BTS serves pop star and movie star in one sharply suited package. They exude energy and joy and wonder while also embodying a sense of cool that transcends the cheesy boy-band prototype. The usual sense of being thrown together in a show-biz test tube eludes them. There are no weak links in this septet. Everybody is magnetic, charming, darling—like R.M. confirming to Grammy host Trevor Noah that he learned English from watching Friends. “Friends is my English parents,” he cracked, adding that he’s a Chandler. No wonder they have an obsessed global army of fans. Assorted members of the Grammy audience—from Lady Gaga to John Legend and Donatella Versace—were spotted selfie-ing and stanning.
Last night at the 2022 Grammys, the ceremony’s “in memoriam” section paid tribute to the talents the music industry has lost over the past 12 months, including Virgil Abloh. In the wake of his death last November from a rare form of cancer, the Off-White designer and creative director of Louis Vuitton menswear was mourned not just by the fashion industry, but by those across the numerous other creative communities he touched throughout his career. It’s not hard to see why. Abloh’s influence on music went far beyond just dressing stars for the red carpet—although he was a favorite of everyone from Drake to Frank Ocean to Rihanna, too. Abloh first honed his skills as a DJ while he was at high school in the 1990s, eventually coming to prominence for his art direction work for the likes of Kanye West, Kid Cudi, and A$AP Rocky. (He even received a Grammy nomination in 2011 for his work on West and Jay-Z’s Watch the Throne cover art, which he designed in collaboration with Riccardo Tisci.) Abloh also released an EP with the electro-house producer Boys Noize in 2018, and he continued to DJ and direct music videos for the likes of Lil Uzi Vert, Pop Smoke, and Quavo all the way up to his untimely death.
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